The limits of our perception are washed-out concepts – we feel with eyes and see with hands. Kira Fröse's work invites you to distrust your senses and reinterpret the accustomed.
She connects what does not belong together, expropriates objects from everyday life and transforms them into sensory works of art. We move between the solid and the liquid, between rigid and dynamic and ultimately between aesthetics and repellent irregularities. Between the lines it becomes clear that opposing elements need each other and would not exist at all without each other.
In her new exhibition 'mopping with the tap open', Kira shifts the meeting space to the private sphere of the bathroom. There, where we are normally alone with our body to examine our irregularities, the objects around us suddenly come into focus. In this way, the silent voyeurs of our intimate habits suddenly acquire a will of their own and express themselves by shifting, solidifying or liquefying. What is reflected is the often forgotten fact that even when you look in the mirror, not everything is as it first seemed.